The dMix 128 presents itself to macOS as a high-channel-count Core Audio interface — meaning a session can be recorded directly into a DAW without any external converter in the signal path.
What the Driver Covers
This walkthrough covers five areas: the Core Audio driver itself, multichannel console recording, flexible routing inside the dMix software, running parallel mixing and recording workflows at the same time, and using the dMix 128 as a studio-grade interface outright.
Recording Without Losing the Live Mix
The architecture is built for hybrid workflows — an engineer keeps full control of the live mix on the console while capturing clean, pre- or post-processing signal for post-production, simultaneously. It's aimed at live engineers, broadcast, installation, and studio production work that needs both a live mix and a clean multitrack at the same time.
Recording works directly into Logic Pro, Pro Tools, Cubase, or Reaper — any DAW that speaks Core Audio.